In the first half of the seventeenth century paintings of the rich and elegantly dressed urban young amusing themselves with courtship, music-making, drinking wine and playing tric-trac became extremely popular.
This richly illustrated book examines the background of that popularity by combining iconographical research with the study of pictorial traditions, painting techniques, socio-economics, literature and book illustrations. The first part traces the sixteenth-century pictorial traditions that featured moralistic, idealistic and humorous variants of the merry company, mainly in prints. The second part shows that the seventeenth-century painters made deliberate iconographical and compositional changes to those traditions and developed new painting techniques and marketing strategies. The various meanings the paintings may have had for a contemporary audience is explored in the last part.
Paperback, 2005, 312 blz., ca. 192 ill., ca. 14 ill. in kleur